The Nikon 16-35mm f/4 is slower in terms of aperture but costs and weighs significantly less. If the cost and weight of the Nikon 14-24mm f/2.8 are too much for you to swallow-not to mention this lens is now over a decade old and counting-there are some interesting alternatives below. In addition, we love the focal length range: many camera manufacturers go for a 16-35mm as their top wide-angle zoom, which doesn’t go as wide as this Nikon and has crossover with the 24-70mm f/2.8, our top pick. It’s exceptionally sharp, autofocus is fast and accurate, and the f/2.8 maximum aperture is impressive for a lens of this type. What we don’t: Heavy and no vibration reduction.įor professionals and discerning enthusiasts, the 14-24mm f/2.8 is Nikon’s top wide-angle zoom. What we like: Nikon's top wide-angle zoom. We love the speed of the f/1.4 and the unique photos that it can produce, but both are excellent lenses. For those looking to save, Nikon’s 50mm f/1.8G below is slower in terms of aperture but less than half the price. But these are small gripes about an otherwise outstanding lens, which can do everything from portraits to travel and street photography. And there is a decent amount of plastic in the build, which on the flip side, does help keep cost and weight down. What are the shortcomings of this lens? It has some barrel distortion that can be noticeable when shooting straight lines, which is an uncommon trait on Nikkor primes. At around $450, it’s a no-brainer in our book. Compared to other f/1.4 prime lenses like the Sigma 50mm Art, the Nikon is cheaper and lighter at less than 10 ounces. And the 50mm f/1.4G happens to be one of Nikon’s top prime lenses: it’s sharp, performs extremely well in low light, has fast and accurate autofocus in most circumstances, and impressive bokeh. What we don’t: Some barrel distortion, although it’s certainly not a deal breaker.įor just about any type of photography or camera, a quality 50mm lens makes a whole lot of sense. What we like: Excellent low light performance and creamy bokeh. We think both are excellent lenses and the choice probably should come down to whether or not you want VR. Some people, however, have argued that there was a slight drop in center sharpness on the E, not to mention it’s heavier and more expensive by about $600. The newer “E” version was released in 2015, including all-important vibration reduction and improved sharpness around the edges. The older “G” version of this lens (described below) originally was released in 2007 and is known for being tack sharp, particularly in the center of the image. For everything from travel photography to portraits, the 24-70mm f/2.8 can replace a handful of specialty prime lenses without much of a drop-off in image quality.įor background, there has been much discussion over which Nikon 24-70mm f/2.8 version is best. We also like the sturdy metal build, which adds weight to the lens but makes you feel like you will own it for many years to come (provided you take good care of it, of course). It’s extremely sharp across its zoom range, focuses quickly and accurately, and has minimal distortion. What we don’t: Some people think the "E" is slightly less sharp at the center than the older “G” version.įor a super versatile FX lens that produces professional-grade images, the 24-70mm f/2.8E is one of the most popular options in Nikon’s full-frame lineup. What we like: Adds vibration reduction to an already exceptional lens. For more background, see our lens comparison table and buying advice below the picks. That means you’ll find some nice budget lenses on this list like the 50mm f/1.8 and telephoto 70-300mm f/4.5-5.6 that make full-frame photography much more accessible. Below are 10 of the best FX lens models from wide angle and portrait to telephoto, along with 7 more that just missed the cut. We’ve included both zoom and prime lenses, and instead of picking only the most expensive pro-level options, we’ve taken value into consideration as well. Nikon’s full-frame camera lineup is impressive, but perhaps even more so is the extensive collection of FX-format (full frame) lenses.
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